RICHARD GRAYSON represented by Matt's Gallery London and Yuill|Crowley, Sydney

ARTWORK INSTALLATION AND VIDEO PROJECTS   Triumph (in collaboration with Steve Wigg) Wet clay on wood - 4.6m x 4.3m x 2.7m 2012 The Objectivist Studio Installation - 2011 The Magpie Index single-screen high-definition video projection - 2010 The Golden Space City of God video installation - 2009 The Golden Space City of God drawings - 2009-10 Intelligence three-channel video projection 2004/5 Intelligence drawings 2004 - ongoing Messiah two-channel video projection 2004 Ghosthouses two-channel video projection with spoken text 2003/4 A Walk up the Hill in Six different Countries single-channel video projection 2002 The Family Starship Troopers video projection 2004 Ahistoryofreading single-channel video projection 1999 Various things explained single-channel video 1998 Triumph (in collaboration with Steve Wigg) Wet clay on wood - 4.3m x 4.3m x 2.7m 1996 PHOTO DRAWING PRINTS AND PAINTINGS The Banks of Torun watercolour series - 2010 Colliders digital prints - 2009 Tombs of Christ drawings - 2006/7 Ways the World Ends wall painting 2005 Suspicious Fires digital prints 2004 Ways the World Ends print series 2003 You can't get there from here digital print/berlin bunker installation 2003 Ways the World Ends painting series 2002 Negative Space (Things I don't understand) painting series 2000 Target Work wall text installation 2000 1000 Accidents wall text installation + works on paper 1999 Robinson Crusoe maps 1999 A Famous Struggle/The Loss of Virginity cardboard 1998 Alternative History Paintings painting series 1998 Look: Self Expression (Art Magazine front Cover) Self reflection: Self Doubt (Art Magazine Back Cover ). Newsprint 420mmx597mm 1996 Dear Richard C type Photos 2.2m x 3.15m 1984 -1996 Title Petunias and African Marigolds 15m x 20m x 40m 1995 Work About The Real World Installation Potato print on paper 3m x 6.5m 1995 Letter/Message/Fact Hammer-drilled plaster 3.5m x 6.5m 1995 Lilliput Wet clay figures. Dimensions variable A work made for exhibition specifically referring to the histories and myths of Adelaide. Adelaide is built close to where Swift positioned Lilliput in Gulliver's Travels. It also has a history of conservatism and strange sex crimes involving children. The figures were made from wet clay. During the period of exhibition the figures were disturbed/vandalised by visitors. 1995 Letter Paintings Painting series 1993-1995 Found Text 1mx 3.5m. Acetate and glass. Text concerning structures of film funding found on floor of disused warehouse enlarged and acetated onto basement skylight. 1994 Mine Petunias. 12m x 3m Installed on the bank of the Torrens river opposite the Festival Centre and viewable from the Festival Centre on the other bank, as well as presenting a view of it from the work. The site has multiple uses. It is the (white) recreational and cultural centre of Adelaide, is used as a sleeping and drug taking area by local youth and street kids and is a site of traditional significance. 1994 Helen /Steve (my keys are upstairs) Hammer drilled brick. 2.8m x 3m 1994 Survivors Tell Installation Silk Screen on cotton shirts. Dimensions variable The text was drawn from a newspaper headline and reads 'Survivors tell horror tales of atrocities' When shown as a group, the reading of this text was radically different as to when worn individually. 1992 Belshazzar Hammerdrilled plaster. 4m x 3m x 2.5 x 4m. 1992 Alpha/bet (with Michele Luke) 35 mins duration 1989 Just what is it (that makes todays homes so different, so glamorous?) - (with Michele Luke) 30 mins duration 1988 Grayson Industries music cd 1985 50 Violent Acts Performance 45 mins duration 1984 THE BASEMENT GROUP Newcastle upon Tyne, UK 1979 - 1984

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